文化记忆视域下“后殖民怀旧”的戕害——以当代中国台湾电影为考勘  

The Harm of"Postcolonial Nostalgia"from the Perspective of Cultural Memory:Research on Contemporary Films of Taiwan,China

作　　者：陶赋雯 Tao Fuwen

机构地区：[1]上海师范大学影视传媒学院 [2]复旦大学

出　　处：《电影艺术》2023年第5期110-117,共8页Film Art

基　　金：国家社科基金艺术学一般项目“新世纪中日二战题材电影比较研究”(20BC038)阶段性成果;上海市高水平地方大学创新团队“文化转型与现代中国”成果。

摘　　要：日本对中国台湾地区长达五十年的殖民统治,涉及部分台湾地区民众人格形成期的共同历史经验,产生世代差异的殖民记忆,这种在文化认知上形成的“精神遗产”造就了今日台湾地区社会心理、媒介叙事、文化操控等领域“殖民遗绪”的滥觞。相关电影作品中折射出“后殖民怀旧”的叙事主题与文化症候,呈现对这段殖民历史的再想象和记忆加工。如何真正告别对日本的后殖民依赖症,塑造中华民族共同体的“同根记忆”,是台湾地区脱离“殖民遗绪”的重生之举。Japan's 5o-year colonial rule over Taiwan,China,involves the common historical experience of some Taiwan Residents people in the formative period of their personality,and produces colonial memories of generational differences.This"spiritual heritage"formed in cultural cognition has created the origin of"colonial legacy"in the fields of social psychology,media narrative,cultural manipulation,etc.in Taiwan today.The narrative theme and cultural symptoms of"post-colonial nostalgia"are reflected in relevant film works,which present a re-imagination and memory processing of this colonial history.How to truly bid farewell to the post-colonial dependence on Japan and shape the"same root memory"of the Chinese national community is a rebirth for the Taiwan region to break away from the"colonial legacy".

关 键 词：中国台湾电影 日本殖民 世代差异 殖民遗绪 后殖民怀旧 

分 类 号：J905[艺术—电影电视艺术]