“纸上看电影”:新中国电影连环画的媒介考古学  

"Watching Films on Paper":A Media Archaeological Study of Film Picture story Book in People's Republic of China

作　　者：符晓[1] 王垚[2] Fu Xiao;Wang Yao

机构地区：[1]长春理工大学文学院 [2]北京电影学院中国电影文化研究院

出　　处：《电影艺术》2023年第5期153-160,共8页Film Art

摘　　要：电影连环画在民国时期就已产生,并在新中国成立后获得了极大的繁荣。新中国的电影连环画与一般意义上的连环画不同,包含了“复制画面”和“画师绘图”两种形态,二者均可被看作是电影的其他媒介“伴生物”,同时也提示着电影的“媒介迁移”和“再媒介化”路径。电影连环画在媒介上的“减法”消解了电影的复杂性和多义性,同时“提纯”了电影的“人民性”,并以自身媒介所具有的“大众性”特点,成为新中国“人民文艺”的重要“话语机器”。The film picture-story book appeared in the Republic of China,and has gained a great prosperity since the founding of People'sRepublic of China.With the two main forms"image reprint"and"painter drawing",it ditinguishes from the other kinds of picture-story books,andcould be regarded as a"concomitant"of the flm in an else media,indicating the path of"media migration"or"re-intermediation"of the film.Duringthe"abstraction"of the original film,the film picture-story book dispelled its complexity and ambiguity,as well as refines its affinity to the people".The fim picture-story book functioned as an important"discourse machine"of"people's iterature and art"with its popularity in People's Republic ofChina.

关 键 词：电影连环画 媒介考古学 伴生物 媒介迁移 人民文艺 

分 类 号：J909.2[艺术—电影电视艺术]