从荡妇到贞女:论电视剧《梦华录》对元杂剧《救风尘》的改编  

Reluctant Virgin:Discussion on Teleplay A Dream of Splendor's Adaptation of Zaju The Rescue of a Courtesan

作　　者：周宏亮 Zhou Hongliang

机构地区：[1]浙江大学传媒与国际文化学院

出　　处：《媒介批评》2023年第1期222-233,共12页Media Criticism

基　　金：浙江省哲学社会科学重点研究基地杭州师范大学文艺批评研究院课题“当代中国新媒介文艺批评话语建构研究”(项目编号:20JDZD045);国家社科基金重大项目“中国新媒介文艺研究”(项目编号:18ZDA282)的阶段性成果。

摘　　要：《梦华录》是由杨阳导演,刘亦菲和陈晓领衔主演的古装偶像剧,一经推出,便引起热议。该剧自称改编自元代著名剧作家关汉卿的杂剧《赵盼儿风月救风尘》(以下简称《救风尘》)。从该剧人物的名字来看,赵盼儿、宋引章和周舍等角色的确是照搬和借用自关汉卿的代表作。然而《梦华录》所展现出来的精神内涵却和《救风尘》南辕北辙。本文基于详实的中外文史料,通过分析《梦华录》的电视改编,从女性主义的视角和历史文献考证法的研究路径,试图解释关汉卿为何以妓女为主角。《梦华录》为何将故事背景挪移到宋代并更改赵盼儿的身份?由宋入元,我国底层女性的生活发生了怎样的变化?A Dream of Splendor is a romantic costume drama directed by Yang Yang with leading actors Crystal Liu and Xiao Chen.It became an instant success upon its launch and claimed itself a modern adaptation of the famous Zaju writer Hanqing Guan s iconic masterpiece The Rescue of a Courtesan.Indeed,the main characters within the drama such as Pan er Zhao,Yinzhang Song,and She Zhou literally borrowed their names from the Zaju play however their characteristics,senses of values,and moral preferences varied substantially from their archetypes.This article is well written based on detailed historical materials and weaved with the academic approach of feminism theories and textual analysis,for the sake of answering the following questions:Why did the writer Guan choose to make a prostitute the heroine of his script?Why did the director Yang set the background of the story in the Song Dynasty and what happened to the daily life of the humble females during the historic transition from Song to Yuan Dynasty?

关 键 词：《梦华录》 网络电视剧 戏曲改编 元杂剧 新媒介文艺 

分 类 号：I207.37[文学—中国文学] K247[历史地理—历史学] J905[历史地理—中国史]