“众览”:中国早期电影放映间的表演行为及其视觉构成  

“Zhong Lan”:the Acting Performance of Interludes in Screening Films in Early Time and Its Visual Composition

作　　者：马聪敏[1] 姚羽佳 Ma congmin;Yao yujia

机构地区：[1]陕西师范大学新闻与传播学院 [2]陕西省图书馆

出　　处：《媒介批评》2023年第1期249-262,共14页Media Criticism

基　　金：陕西省社科基金项目“《黄河流域影像女方志》资料整辑与研究”(项目编号:2020J045)的阶段性研究成果。

摘　　要：“览”字的使用,在中国古代就侧重于视觉活动中“观看”这一行为的直接性;“众览”指经由视觉化的形式,通过营建一系列视觉活动的直观路径,以供大众观看。早期影戏的吸引力法则本就是靠画面中形、色、线、构图等视觉因素的奇观化来打动观众的。中国早期电影放映间的表演行为,其表演方式、表演内容、表演空间多以极尽裸露的样态呈现在观者面前;并从空间吸引力、形式吸引力、身体吸引力诸方面直接诉诸观众的注意力,对感官(可视、可听、可触摸)的直接的视觉化塑造,实现了观看的现代化进路。The use of“Lan”in ancient China focused on visual activity and the directness of the act of“watching”;“Zhong Lan”refers to the creation of an intuitive path through a series of visual activities in the form of visualization for public viewing.The law of attraction in the early stage of film is to impress the audience by the spectacle of visual factors such as form,color,line,composition and image in the picture.The acting performance of interludes in screening films in early time,its performance mode,performance content and performance room are mostly presented in front of the audience in an extremely naked state;and directly appeal to the audience s attention from the aspects of space attraction,form attraction and physical attraction,its direct visual shaping of the senses(visible,audible and touchable)has realized the modernization of the approach of viewing.

关 键 词：“众览” 吸引力 早期电影放映间 表演行为 

分 类 号：J943.2[艺术—电影电视艺术]