被凝视的“景观”与被构建的“他者”——论老舍小说连环画改编中沦落女性的图像再现  

The“Landscape”Being Ggazed and the“Other”Being Constructed:On the Image Reproduction of Depraved Women in the Adaptation of Lao She's novels

作　　者：李洪华[1] 熊瑶 Wei Jiaping Li Honghua;Wei Jiaping

机构地区：[1]南昌大学人文学院 [2]南昌大学 [3]不详

出　　处：《媒介批评》2023年第1期374-389,共16页Media Criticism

基　　金：国家社科基金一般项目“20世纪中国文学名著的连环画改编研究”(21BZW038);国家社科基金重大招标项目“中国现代文学图像文献整理与研究”(项目编号:16ZDA188)阶段性成果。

摘　　要：老舍在《月牙儿》《微神》和《骆驼祥子》等小说中塑造了一批沦落风尘的女性形象。在连环画改编时,绘画者主要通过相貌、神情、服饰等成像要素,对老舍笔下的沦落女性进行图像塑形,并运用单幅、连环、并置等图像叙事方式和虚实相生的表现手法再现了她们沦落风尘的悲剧。由于老舍及其作品的改编者主要是从社会文化层面关注这些沦落女性的悲剧命运,因而她们在语图转换中仍然是被凝视的“景观”和被构建的“他者”。Lao She created a number of female images in novels such as Crescent Moon,Vision and Camel Xiangzi.In the adaptation of comic strips,the painters mainly shaped the fallen women in Lao She's works by means of image elements such as looks,expressions and costumes,and reproduced their tragedies of falling into the dust by using single,serial,juxtaposition and other image narrative methods and the expression techniques of combining reality with fiction.Because Lao She and the adaptors of her works mainly pay attention to the tragic fate of these fallen women from the social and cultural level,they are still the“landscape”being stared at and the“other”being constructed in the language map transformation.

关 键 词：老舍小说 连环画改编 沦落女性 图像再现 

分 类 号：I207.42[文学—中国文学] J218.4[艺术—美术]