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作 者:王旭 Wang Xu
机构地区:[1]中国社会科学院世界宗教研究所
出 处:《中国社会科学院大学学报》2023年第9期51-63,138,共14页Journal of University of Chinese Academy of Social Sciences
摘 要:气氛是日常生活中十分寻常的现象。20世纪下半叶,气氛在施密茨的新现象学中被概念化和专题化。在施密茨的新现象学中,气氛概念主要用于说明弥漫于身体在场空间中的情感现象,但气氛本身不限于情感,还包括了身体在场的空间中显现的事物以及自然现象等。如此复杂多元的气氛被施密茨和伯梅理解为作为影响力显现并作用于身体的半物、身体在场的场域、身体主体和绽出的客体共同在场的源始间现象。通过现象学的解读,气氛概念不仅在与艺术评论、教育学等领域的结合中显示出了强大的解释力,而且为哲学内部的情感、知觉以及存在论诸议题提供了新的研究视角和可能。最后,本文还简要描述了气氛概念的跨文化比较的潜力,以及气氛与中国气哲学之间可能的对话。Atmospheres are common phenomena in daily life.In the second half of the 20th century,atmosphere was conceptualized and thematized in the neophenomenology of Hermann Schmitz.In Schmitz'neo-phenomenology,the concept of atmosphere is primarily used to clarify the phenomena of affectivity that manifest in the spheres of bodily presence.However,atmosphere itself extends beyond affectivity;it also includes all things and natural phenomena that appear in the sphere of bodily presence.These complex phenomena of atmosphere are interpreted by Schmitz and Bohme as half-things,the spheres of bodily presence,and the original phenomena of in-between.Through this phenomenological reading,the concept of atmosphere not only demonstrates its great potential in other disciplines such as art criticism and pedagogy but also provides some new perspectives for the philosophical inquiries into affectivity,perception,and ontology.Lastly,this thesis also briefly explores the cross-cultural potential of the concept of atmosphere and the possible dialogue between atmosphere and Chinese philosophy of qi.
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