威廉·布莱克绘画艺术的构图方式及精神追求  

The Spiritual Pursuit and Significance of William·Blake's Painting Composition

作　　者：景雪竹[1] JING Xue-zhu(Physical Education and Arts School,Chengyi College Jimei University,Xiamen Fujian 361021,China)

机构地区：[1]集美大学诚毅学院体育艺术系,福建厦门361021

出　　处：《吕梁学院学报》2023年第5期81-85,共5页Journal of Lyuiang University

摘　　要：威廉·布莱克是18世纪与19世纪之交英国浪漫主义的代表艺术家。其绘画作品多为版画,常以自己独创的“螺旋形”“线形”为构图方式。布莱克借由这些艺术语言所要表达的是一种“精神性”。这种精神性是人与自然、人与神和谐共存的状态,并不是虚无缥缈的,具有对现实的反抗和批评的积极意义。William Black was a representative artist of British Romanticism at the turn of the Eighteenth Century and the Nineteenth Century.His paintings are primarily prints,often with their original“spiral”and“linear”as composition mode.Black used the language of art to convey a kind of“spirituality”.This kind of spirituality is the harmonious coexistence of man,nature,and God.This spirituality is not illusory but has the positive significance of resistance and criticism of reality.

关 键 词：威廉·布莱克 绘画 构图 精神追求 

分 类 号：J211.2[艺术—美术]