孙犁的文学“风景”与晋察冀抗战经验  

Sun Li's Literary Scenery and the Experience of Jinchaji Anti-Japanese War

作　　者：熊权 刘振琛 XIONG Quan;LIU Zhenchen(School of Liberal Arts,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学文学院,北京100081

出　　处：《河北大学学报（哲学社会科学版）》2023年第5期10-18,共9页Journal of Hebei University(Philosophy and Social Science)

基　　金：国家社会科学基金重大项目“百年中国文学女性形象谱系与现代中华文化建构整体研究”(19ZDA276)。

摘　　要：受“纯文学”研究思路影响,孙犁文学往往被视为个性主义抒情、疏离革命政治的典型。不可忽视的是,孙犁的创作植根于晋察冀抗战语境,构成20世纪中国革命文学的重要精神资源。具体到孙犁抗战文学的“风景”,并非是一种纯粹的文学技巧或审美风格,而是包含着华北抗战的历史、意识形态以及作家自身文学观的生成过程。孙犁不仅擅长描绘白洋淀水乡的优美,也多写阜平山地的壮美,其中沉淀转化乡土家庭观念、建构军民共同体等历史经验。从温婉水乡到险峻山地,自然风景发生变化,但孙犁看风景的“认识装置”不变,一直表达对家园故土的眷恋、对故乡人民抗战精神的赞美。Influenced by the research method of“pure literature”,Sun Li's literature is often seen as a typical example of individualistic lyricism and alienation from revolutionary politics.It cannot be ignored that Sun Li's creations are rooted in the context of the Jinchaji Anti-Japanese War,which constitutes an important spiritual resource for 20th century Chinese revolutionary literature.Specifically,the scenery of Sun Li's Anti-Japanese War literature is not a pure literary technique or aesthetic style,but encompasses the history and ideology in North China and the formation process of the writer's literary views.Sun Li is not only good at depicting the beauty of the Baiyang dian water town,but also the magnificence of the Fuping mountainous area,where he has accumulated historical experience in transforming the local family concept and building a military civilian community.The natural scenery from the gentle water town to the steep mountains has changed,but Sun Li's understanding of the scenery remains unchanged,expressing his attachment to his hometown and praising the spirit of the people in his hometown during the Counter-Japanese War.

关 键 词：孙犁 白洋淀水乡 阜平山地 晋察冀抗战语境 

分 类 号：I206.7[文学—中国文学]