论章德益的诗歌创作及其流变  

On Zhang Deyi’s Poetic Writing and Its Flux

作　　者：胡新华[1] 李倩倩 HU Xin-hua;LI Qian-qian(College of Literature and Arts,Shihezi University,Shihezi 832003,Xinjiang,China)

机构地区：[1]石河子大学文学艺术学院,新疆石河子832003

出　　处：《石河子大学学报（哲学社会科学版）》2023年第5期109-116,共8页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目“新疆当代文学史料的整理与研究(1949—1966)”(18BZW136);石河子大学高层次人才科研启动项目“改革开放以来文学思潮与新疆文学创作关系研究”(RWSK2018C03)。

摘　　要：章德益于20世纪80年代步入诗坛,创作了诸多优秀的新边塞诗歌,被誉为“新边塞诗三剑客”之一。此后随着人生阶段的变化,章德益的诗歌创作不断发生着新变。大体而言,章德益的诗歌创作过程可分为三个阶段:早期诗歌以现实为基调,描摹西部风物,吟唱时代精神,诗艺尚处于探索阶段;离疆返沪后,注重书写个体经验,艺术上呈现出超现实主义的倾向;晚年则追求情感的抒发和哲学的沉思,诗艺已臻化境。综观章德益的诗歌创作流变,一以贯之的是始终坚守西部、坚守诗歌艺术的本心,其创作实绩对丰富西部诗歌创作、探寻诗歌艺术发展具有重要意义。Zhang Deyi entered the poetry world in the 1980s and created many excellent New Frontier Poetry,and is known as one of the“Three Swordsmen of New Frontier Poetry”.Since then,Zhang Deyi’s poetry has been changing with the changes of his life stage.Broadly speaking,Zhang Deyi’s poetic process can be divided into three stages:the early poems were based on reality,describing the western landscape and singing the spirit of the times,and the poetic art was still in the exploratory stage;after leaving Xinjiang and returning to Shanghai,he focused on writing individual experiences,and his art showed a tendency of surrealism;In his later years,he pursued emotional expression and philosophical contemplation,and his poetic art has reached a state of perfection.Looking back to the creative flux of Zhang Deyi,he has consistently adhered to the west and the heart of poetic art,and his creative achievements are of great significance to the enrichment of western poetic creation and the exploration of poetic art development.

关 键 词：章德益 西部诗歌 新边塞诗 超现实主义 

分 类 号：I207.25[文学—中国文学]