奥斯卡最佳影片对美国西部历史的篡改与神话建构  

The Oscar Best Films:The Falsification and Mythological Construction ofthe History of the American West

作　　者：张艳蕊[1] Zhang Yanrui(School of Humanity and Law,Zhengzhou University of Aeronautics,Zhengzhou City,Henan Province,450046)

机构地区：[1]郑州航空工业管理学院文法学院,河南郑州450046

出　　处：《黄河科技学院学报》2023年第10期65-71,共7页Journal of Huanghe S&T College

基　　金：教育部人文社会科学研究规划基金项目(18YJAZH133)。

摘　　要：奥斯卡最佳影片中的西部片是好莱坞电影百年发展史中历时最久、产量最丰、变化最多的一种电影类型,也是与美国西进历史密切相关的类型电影。通过篡改西进历史、塑造西部牛仔形象、以“正义战胜邪恶”二元叙事建构神话、营造西部神话景观等手段,西部片隐藏起残酷的历史真相,神化了美国的西进运动,将美国政府主导下的西进运动打造为美国人的神话史诗。西部片迎合了美国人关于西部的浪漫想象与民族主义情绪,满足了观众的心理期待与英雄梦想,从而创造了一个比历史上的真实西部本身更有吸引力、传播更广,甚至从某种意义上说更“真实”的神话现实,在美国人确立自身民族意识和国家认同过程当中,起过或仍在起着重要作用。In the 100 years history of Hollywood films,the western film in Oscar best pictures,as one type of film,lasted the longest time,was produced the most abundantly,and experienced the most changes.It is a type of film closely related to the history of American westward development.By falsifying the history of westward movement,shaping the image of western cowboys,constructing the myths with the dual narrative of“justice overcoming evil”,and creating the western mythological landscape,the western films hid the cruel historical truth,deified the westward movement of the United States,and built the westward movement led by the American government into a mythological epic of the American.Western films cater to Americans’romantic imagination and nationalist emotion about the west,and satisfy the audience’s psychological expectation and heroic dreams,thus creating a mythological reality that is more attractive,more widespread,and even more“real”in some sense than the real west itself in history.Western films have played or still play the important role in the process of Americans establishing their own national consciousness and national identity.

关 键 词：奥斯卡奖 西部片 美国西进运动 神话建构 

分 类 号：J951.1[艺术—电影电视艺术]