杨家埠木版年画在中国当代油画创作中的重构与转换  

RECONSTRUCTION AND TRANSFORMATION OF YANGJIABU WOODBL.OCK NEW YEAR PAINTINGS IN CONTEMPORARY CHINESE OIL PAINTING CREATION

作　　者：杨京 萧睿 

机构地区：[1]北京林业大学艺术设计学院

出　　处：《包装与设计》2023年第4期162-163,共2页Package & Design

摘　　要：山东杨家埠木版年画是我国四大年画之一,被列为国家级非物质文化遗产。其线条、色彩与构图独具特色,在一定程度上影响了中国当代油画创作。本文选取了部分具有代表性的油画作品,着重分析中国当代油画艺术家如何从杨家埠木版年画中汲取灵感,学习技巧,并将其融入到油画创作中。作者希望借此探讨中国当代油画创作的创新之路,为中国当代油画艺术的发展与传统民间艺术的传承提供参考。Shandong Yangjiabu Woodblock New Year Paintings are one of the four major New Year paintings in China and are listed as a national intangible cultural heritage.The unique line,color and composition of the New Year Paintings have influenced the creation of contemporary Chinese oil paintings to a certain extent.This paper selects some representative oil paintings and focuses on how contemporary Chinese oil painting artists draw inspiration from Yangjabu Woodblock New Year Paintings.learn techniques,and incorporate them into their oil paintings.The authors hope to explore the innovative path of contemporary Chinese oil painting creation and provide reference for the development of contemporary Chinese oil paintingart and the inheritance of traditional Chinese folk art.

关 键 词：杨家埠木版年画 中国当代油画 重构与转换 

分 类 号：J21[艺术—美术]