安德烈·兹维亚金采夫电影《回归》的艺术透视  

Artistic Perspective on Andrey Zvyagintsev's Film The Return

作　　者：袁家瑄 YUAN Jia-xuan(College of Foreign Languages,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学外国语学院,天津300071

出　　处：《太原学院学报（社会科学版）》2023年第6期69-77,共9页Journal of Taiyuan University(Social Science Edition)

摘　　要：当代俄罗斯电影《回归》以一周为时间单位建构循环,与个体、俄罗斯社会遭遇的宿命般的困境相呼应。《回归》中的循环叙事包含着强烈的游戏逻辑,体现的是对观众接受度的观照。在循环之中,导演安德烈·兹维亚金采夫分别从日常伦理维度、社会维度和宗教维度刻画并诠释了现代家庭与社会中的关键角色——父亲,呼唤闪耀着人性光辉的“父亲”式人物的回归。The constructed cycle of a week as a unit of time in the contemporary Russian film"The Return"echoes the fatalistic dilemmas encountered by the individual,Russian society.The cyclical narrative in the film contains a strong logic of play,reflecting a view of audience acceptance.In the cycle,director Andrei Zvyagintsev interprets the key role of the father in the modern family and society in its everyday ethical,social and religious dimensions,and calls for the return of the"father"figure,who shines with the light of humanity.

关 键 词：安德烈·兹维亚金采夫 《回归》 循环叙事 游戏逻辑 

分 类 号：J905.512[艺术—电影电视艺术]