宫体诗的遗产:虚拟京洛与情感塑形  

Legacy of the Palace Style Poetry:Invented Capital City Life and the Shaping of Stylistic Emotions

作　　者：蔡丹君[1] CAI Danjun(School of Liberal Arts,Renmin University of China)

机构地区：[1]中国人民大学文学院

出　　处：《中国人民大学学报》2023年第5期141-150,共10页Journal of Renmin University of China

基　　金：2018年度国家社会科学基金重大项目“中国古代都城文化与古代文学及相关文献研究”(18ZDA237)阶段性成果。

摘　　要：在历史上饱受批判的宫体诗,是链接汉乐府与初唐歌行的不可忽视的一环。宫体诗抽离了汉乐府讲述城邑平民生活与家庭伦理的叙事内核,虚拟历史时空线索,将琐碎的物象、事类叠加在一起,建构出一种概念化的城市图景。城市街衢之间的游侠、倡妓等形象鲜明的特定人群获得凸显,并替代了汉乐府中作为主角的城市底层平民。同时,宫体诗人又提炼出类型化的世俗情感,或关于历史、人生沉浮的咏叹,或关于游子思妇的缠绵等等,将之作为城市图景的空隙之间隐伏的抒情笔墨。这些被塑形过的情感类型,最终凝结为初唐诗人所理解的“古意”。总之,从汉乐府、宫体诗到初唐歌行,中古诗歌文本内部的语言艺术发展过程,是值得我们注意的。The historically criticized Palace Style poetry serves as a noticeable link between the Han yuefu and the Tang gexingsongs.The Palace Style poetry abandons the narrative part of the Han yuefupoetry(which is about the life and family ethics of common people living in cities)and emphasizes the historical time and space clues the yuefupoetry conveys,combining trivial objects and events to reconstruct a conceptualized urban landscape.The depiction of specific groups of people,such as wanderers and courtesans in city streets,is highlighted and replaces the depiction of urban commoners seen in the Han yuefu poetry.At the same time,the Palace Style poetry evokes different types of emotions,such as laments about history and the vicissitude of human life and the lingering feelings of wanderers and pining women,and serves as lyrical inks to make a poetic urban landscape.These emotions were known as the so called“archaic sense”in early Tang.

关 键 词：宫体诗 古意 虚拟 

分 类 号：I207.22[文学—中国文学]