宋元传记资料中的夏竦形象塑造及其政治文化背景  

The Creation of Xia Song's Images in Biographies in Song and Yuan Dynasties and Its Poltical and Cultural Background

作　　者：刘敏 邓洪波[1] Liu Min;Deng Hongbo

机构地区：[1]湖南大学岳麓书院,湖南长沙410012

出　　处：《史学史研究》2023年第3期9-21,共13页Journal of Historiography

摘　　要：在宋元传记资料中的夏竦形象并非一成不变。英宗忌惮仁宗旧臣,为援引亲信张本,在《夏竦神道碑》中塑造了东宫旧僚的夏竦形象,并对《仁宗实录·夏竦附传》的书写产生了重要影响。夏竦在对夏问题上与神宗开边之策不合,导致了神宗时期《两朝国史·夏竦正传》中夏竦形象的“奸邪化”,而此时曾巩在《隆平集·夏竦传》中塑造了别于国史的夏竦形象,却秘而不宣。王称在《东都事略·夏竦传》中将夏竦与庆历诸君子的矛盾描写得更为丰满。元朝史臣对《两朝国史·夏竦正传》作了细节修改,最终形成《宋史·夏竦传》。了解夏竦的形象塑造及其政治文化背景,既可重新认识夏竦及仁宗政局,也可观时代的变迁。The images of Xia Song had changed in Song and Yuan.Fearing of Emperor Ren's closest ministers,Emperor Ying had made Xia Song be a follower since he was a prince in Xia Song's Monument,which affected Xia Song's biography in Emperor Ren's Veritable Records.Xia Song's policy to the Western Xia didn't agree with Emperor Shen's,which resulted the images of Xia Song be smeared in LIANGCHAOGUOSHI.At the same time,Zeng Gong had made a different image in LONGINGJI,but it was hidden.Wang Chen expatiated the contradiction between Xia Song and participants in the Qingli Reformation in DONGDUSHILVE.The fficial historians in the Yuan Dynasty had modified some details in Xia Song's biography in the LIANGCHAOGUOSHI,and then completed his biography in SONGSHI.With the study of the creation of Xia Song's images and its background,it not only is helpful to understand Xia Song and political situation in Emperor Ren Era better,but also learn the change of the periods.

关 键 词：夏竦 庆历新政 形象塑造 政治文化背景 

分 类 号：K092[历史地理—历史学]