索画:明代园林绘画的图式构建及风格策略  

Commissioned Paintings:Compositional Structures andStylistic Strategies of Garden Paintings in the Ming Dynasty

作　　者：肖芳凯 XIAO Fangkai(Shenzhen University,Shenzhen 518060,China)

机构地区：[1]深圳大学,广东深圳518060

出　　处：《南昌师范学院学报》2023年第4期68-74,共7页Journal of Nanchang Normal University

基　　金：2020年度国家社会科学基金艺术学一般项目“明代园林绘画研究”(20BF094)。

摘　　要：传统山水和实景元素的结合,令明代园林绘画逐渐成型,并经由不同画家的图式构建和风格演绎,不断拓宽了这一特殊主题的文化内涵。作为常见的定制委托之作,图绘园林难免需直面“索画”的现实情境及文化语境,由此揭示了园林绘画的图式与风格有别于传统山水逻辑的另一面。在观者和作者的互动结构下,藉由索画情境、图式构建和风格策略的修正与重塑,明代园林绘画为实景古意推演出时代新义。Garden painting of the Ming Dynasty gradually took shape with the combination of traditional landscape and realistic elements,and through different painters compositional structures and stylistic interpretations,the cultural connotations of this special theme continuously expanded.As a type of work that is often commissioned to be customized,it is inevitable that garden paintings need to deal with both realistic situation and cultural context under which the paintings are being asked for,thus revealing an aspect of garden painting s composition and styles that differed from the logic of traditional landscape.With the interactions between the viewers and painters,through the modification and reshaping of compositional structures and stylistic strategies within the context of commissioned paintings,the Ming dynasty garden painting derived new meaning from the age-old essence of realism.

关 键 词：索画 园林绘画 图式构建 风格模式 实景再现 

分 类 号：J2[艺术—美术]