书法艺术意义的符形、符义、符用三科配置  

Three-dimensional Configuration of Artistic Meaning in Chinese Calligraphy:Syntactics,Semantics and Pragmatics

作　　者：于广华 Yu Guanghua(College of Arts;ISMS research team,Sichuan University)

机构地区：[1]四川大学艺术学院 [2]四川大学艺术学理论博士后流动站 [3]四川大学符号学-传媒学研究所

出　　处：《符号与传媒》2023年第2期47-59,共13页Signs & Media

基　　金：中国博士后科学基金项目“书法艺术的语图符号复合表意机制研究”(2022M722291);国家社会科学基金重大项目“当代艺术提出的重要美学问题研究”(20&ZD049)阶段性成果。

摘　　要：书法艺术在保有汉字语意的前提下,将宇宙自然动势、书者情感、身体感知觉范式、书法历史风格等诸多意义“变量”纳入进来,展开汉字形式的“拓扑性”变形。书法拓扑性变形操作指向书法艺术创造力的同时,又保有了符义的语言意指这个不变量,并经由汉字符号获得了更多广泛的符号使用意义。书法艺术以符形为主导,兼顾符义与符用,三种意义维度相互影响、相互渗透、相互促进,共同构筑动态多维的书法意义空间。书法这种独特的意义生成机制在当代具有重要的价值意义。Under the premise of maintaining the invariance of linguistic meaning,Chinese calligraphy introduces many meaning"variables"such as the momentum of cosmic nature,the emotions of the writer,the paradigm of body perception and the historical style of calligraphy,to show the"topological deformation"of Chinese characters.The topological deformation of calligraphy displays the creativity of calligraphy art while retaining its semantic invariability,and through the Chinese character signs more extensive pragmatic meanings have been obtained.The meaning of Chinese caligraphy is dominated by syntactics,with semantics and pragmatics often playing a cooperative role.These three dimensions of meaning influence,permeate and promote each other and jointly construct a dynamic and multi-dimensional calligraphy meaning space.Chinese calligraphy is a unique meaning-generating mechanism with important value in contemporary times.

关 键 词：书法符号学 拓扑像似 艺术符号学 

分 类 号：J292.1[艺术—美术]