On the Stylistic and Cultural Awareness of Chen Yan's Novels: Taking The Protagonist and The Backstage Clan as Examples  

作　　者：LIU Qiong 

机构地区：[1]Department of Literary and Art Review,People's Daily,Beijing 100733,China

出　　处：《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》2023年第1期35-56,共22页中国高等学校学术文摘·文学研究（英文版）

摘　　要：The Protagonist is another full-length masterpiece of realism by Chen Yan following his previous novel The Backstage Clan.His rich experience in drama creation enables Chen Yan to skillfullyemployclassical literature and traditional opera librettos,and be keener on entering a narrative where novel and opera communicate without any barriers,thereby forming his distinctive narrative aesthetic.In addition,Chen Yan has proficiently created in the abovementioned books typical characters such as Diao Shunzi and Yi Qin'e,creating a blueprint for how these two novels will be passed down to later generations.Unlike The Backstage Clan,which focuses on the extraordinary nature of ordinary people,The Protagonist presents the potential of the rise of ordinary people and a panorama of man and culture by portraying the legendary lives of the protagonist and the secondary protagonist.

关 键 词：Chen Yan The Protagonist The Backstage Clan stylistic awareness cultural awareness 

分 类 号：I206[文学—中国文学]