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作 者:张东升 Zhang Dongsheng
出 处:《南京艺术学院学报(美术与设计)》2023年第5期21-25,I0010,共6页Journal of Nanjing Arts Institute:Fine Arts & Design
基 金:国家社科基金重大项目“中国汉字书法美学理论体系建构研究”(22&ZD049)阶段性成果。
摘 要:王铎小楷《韩愈答李翊书册》,表现出与其行草书迥然不同的格调,本文首先通过图例分析,探讨其中“篆隶融楷”与“意涉瑰奇”的艺术表现。其次结合晚明好古炫博的艺术生态,对王铎小楷精研字法表现、崇古而不泥古的浪漫主义书风进行考论。王铎对文字正脉的追求,可谓在衰颓、动荡时代中的浪漫主义理想与主体价值的“呐喊”。Wang Duo’s calligraphy album Han Yu Answering Li Yi in Xiaokai(regular script in small characters)shows a very different style from his cursive writing.This article first discusses the artistic expression of“seal script and clerical script melting into regular script”and“the intention to be magnificent and novel”through illustration analysis.Secondly,combining with the artistic ecology in the late Ming Dynasty of favoring to be ancient and broad,to do textual research on his romantic writing style of examining character calligraphy expression in detail,and respecting but not limited by the ancient style.Wang Duo's pursuit of the right line of calligraphy can be described as the“cry”of romantic ideals and subject values in the era of decline and turmoil.
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