身份、时间、要素——从喜龙仁的视角再讨论《中国园林》对“自然主义”的建构与书写  

Identity,Time,Element--Rediscussing the definition of“naturalism”in Chinese Garden from the perspective of Osvald Sirén

作　　者：周景崇[1] 彭佳俊 Zhou Jingchong;Peng Jiajun

机构地区：[1]浙江理工大学艺术与设计学院,浙江杭州310000

出　　处：《南京艺术学院学报（美术与设计）》2023年第5期43-50,I0011,共9页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：浙江理工大学纺织学科学术骨干专项基金项目《日本〈筑山庭造传〉校注及思想研究》(11340231201916);国家社科基金一般项目《南传佛教石窟造像中心史迹踏查》(18BZS165)阶段性研究成果。

摘　　要：喜龙仁的《中国园林》首次以图片式游记体叙事方式,向欧洲介绍了中国园林的构成要素与设计思想,对中国园林艺术体系的构建与传播起到筚路蓝缕的作用力。本文以此书为中心,勘核喜龙仁的早期身份与真实经历、时间背景,以及他从自然主义视角解剖中国园林的独特视角,并进一步剖析喜龙仁对早期中国造园学研究的贡献及个人特殊的文化现象。Chinese Gardens by Osvald Sirén is a groundbreaking book introducing the elements and design concepts of Chinese gardens to Europe through a captivating pictorial travelogue narrative.This book played a crucial role in establishing and spreading the art of Chinese garden.This paper focuses on exploring Sirén's early identity,real experiences,and the historical context in which he worked.It also delves into his unique approach of analyzing Chinese gardens from a naturalistic perspective.Furthermore,the paper examines Sirén’s significant contribution to the study of early Chinese gardening and his distinctive cultural perspective.

关 键 词：中国园林 喜龙仁 照相分析 自然主义 

分 类 号：J50[艺术—艺术设计]