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作 者:孙晓斌 Sun Xiaobin
机构地区:[1]南开大学历史学院,天津300350
出 处:《南京艺术学院学报(美术与设计)》2023年第5期57-63,I0011,共8页Journal of Nanjing Arts Institute:Fine Arts & Design
摘 要:自1923年至二战爆发,英国陶瓷艺术家伯纳德·利奇致力于发掘工业化时代之前的手工艺传统。该时期他对英国工艺美术传统的发掘经历了从装饰性器具到实用型器具、从贵族用具到大众用具、从关注传统制作法到更注重传统器型中蕴涵的“民众美学”的转变。这一转变根源于英国工艺美术运动中形成的“反工业主义”倾向。From 1923 to the outbreak of the Second World War,ceramic artist Bernard Leach explored the British artisan traditions of pre-industrial times in Britain.It can be seen that his exploration of the traditions of arts and crafts experienced a transformation from decorative appliances to practical appliances,from noble appliances to public appliances,and from focusing on traditional production methods to paying more attention to the“popular aesthetics”contained in traditional utensils.These changes were rooted in the“antiindustrialism”tendency formed in the British Arts and Crafts Movement.
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