双雪涛的东北书写与“新东北”的中国现代性——兼论近期青年写作的城市空间诗学  

Shuang Xuetao's Northeast Writing and the Chinese Modernity of"New Northeast":On the Urban Space Poetics of Recent Youth Writing

作　　者：易文杰 Yi Wenjie

机构地区：[1]厦门大学台湾研究院

出　　处：《上海文化》2023年第10期29-36,45,共9页Shanghai Culture

摘　　要：作为“新东北作家群”的重要代表,双雪涛的东北城市书写,具有“走出摩登叙事”的意义。他不追逐“青春写作”的写作潮流,而是以历史意识钩沉东北老工业区往事。他以“地方”为方法,呈现艳粉街的空间政治,在城市的边缘地带发现人民精魂。他的“新东北”书写也从“地方”回到“国家”,以“铁锈”为重要意象,回顾“漫长的90年代”,继承的不仅是以萧红为代表的现代东北叙事,还是社会主义文学遗产及其尊严政治,讲述作为中国故事的东北故事,诠释王德威所言“东北文学与中国现代性”的命题。双雪涛的写作也呼应班宇的“工人村”、郑执的“穷鬼乐园”、张怡微的“工人新村”、王占黑的“老社区”与“定海桥”,昭示近期青年写作的城市空间诗学。As an important figure of"New Northeast Writers'Group",Shuang Xuetao's writing of Northeast cities has the significance of"going out of modern narrative".He does not pursue the writing trend of"youth writing",but uses historical consciousness to reflect the past of the old industrial zone in Northeast China.He uses the method of"the local"to present the spatial politics of Yanfen Street and discovers the people's soul on the outskirts of the city.His writing of"New Northeast"also returns from"the local"to"the country",Taking"rust"as the important image,he reviews the"long 1990s",inheriting not only the modern northeast narrative represented by Xiao Hong,but also the socialist literary heritage and its dignity politics.He presents the story in the northeast as a Chinese story,and interprets Wang Der-wei's proposition of northeast literature and Chinese modernity'.His writing also echoes Ban Yu's"Workers'Village",Zheng Zhi's"Poor Ghost Paradise",Zhang Yiwei's"Workers'New Village",Wang Zhanhei's""Old Community"and"Dinghai Bridge",highlighting the urban spatial poetics of recent youth writing.

关 键 词：双雪涛 《平原上的摩西》 城市文学 新东北作家群 青年写作 

分 类 号：I207.42[文学—中国文学]