抗战时期农民眼中的“新社会”——论抗战时期新秧歌剧的新社会想象  

On the“New Society”in Farmers’Eyes during the Anti-Japanese War--On the New Social Imagination of the New Yangge Opera During the Anti-Japanese War

作　　者：张文诺 傅文琬 ZHANG Wennuo;FU Wenwan(School of Humanities,Shangluo University,Shangluo 726000,Shaanxi,China)

机构地区：[1]商洛学院人文学院,陕西商洛726000

出　　处：《安康学院学报》2023年第5期97-104,共8页Journal of Ankang University

基　　金：2021年度国家社会科学基金重大项目“红色文艺与百年中国研究”(21&ZD260)。

摘　　要：新秧歌剧是“讲话”之后延安文艺界向民间形式学习的最重要的成果之一,是新的时代表现新的生活、塑造新的人物所适宜的形式。新秧歌剧的成功为民间形式的利用改造创新提供了丰富的经验,坚定了根据地文艺工作者利用民间形式的信心。新秧歌剧是各抗日根据地新的人民文艺的一次成功的文艺实践,表现了鲜明的中国作风与中国气派。新秧歌剧带动了整个抗日根据地群众性文艺创作,表现了复杂、丰富的农村生活,表现出极为鲜明的创造性。The new Yangge opera is one of the most important achievements that yan’an literature and art circles learned from folk forms after“the Yan’an speech”,and it is a suitable form for the new era to express new life and create new characters.The success of the new Yangge opera provides rich experience for the use of folk forms and innovation,and strengthens the confidence of literary and artistic workers in the base area to use folk forms.The new Yangge opera is a successful literary practice of the new people's literature and art in the anti-japanese base areas,showing a distinct Chinese style and Chinese manner.The new Yangge opera led the mass literary and artistic creation of the whole Anti-japanese base area,showing the complex and rich rural life,showing the active creativity.

关 键 词：新秧歌剧 新社会 抗战时期 农民 

分 类 号：I206.6[文学—中国文学]