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作 者:Yehui Song Junkai Xue Yali Ma Junhua Mo
机构地区:[1]不详
出 处:《Language and Semiotic Studies》2023年第3期359-380,共22页语言与符号学研究(英文)
基 金:This study is funded by Jiangsu Social Science Application Projects for the Category of Foreign Languages(No.22SWB-19);the Specialty Leader High-end Training Subsidy Project of Higher Vocational Colleges in Jjiangsu Province(No.2022GRFX042);the Humanities and Social Sciences Interdisciplinary Research Team of Soochow University(No.5033720623).
摘 要:Catchwords,as important social and cultural symbols,are the barometer of a country's society and culture.In China,various catchwords are coined and used every year by Chinese people,especially the young.Of these catchwords,one particular type that expresses despondency or Sangness is increasingly gaining scholarly attention.This study takes a socio-linguistic approach to investigating the most frequently used Sangness-related Chinese catchwords in the past ten years.By examining the annual top ten catchwords selected by Biting Words and Chewing Words between 2013 and 2022,it finds that the most frequently used Sangness-related Chinese catchwords in the past decade have been(1)Ge You Slouch,(2)feeling awful and wanting to cry,(3)Buddha-like,(4)996 work schedule,(5)life is too hard for me,(6)laborer,(7)involution,(8)lying flat,and(9)mental internal friction.These catchwords mainly serve the functions of deconstructing mainstream values,expressing self-mockery,and seeking value recognition.The development of these Sangness-related catchwords is characterized by an increasing diversity and a strongerapplicability.
关 键 词:Chinese catchwords developmental features most frequently used catchwords Sang subculture or Sangness social functions
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