传统再造与文化错位——寿阳“爱社”傩舞祭祀习俗考  

Traditional Reinvention and Cultural Dislocation:Investigation of the Original Dance Ceremony in ShouYang

作　　者：刘霄 Liu Xiao

机构地区：[1]山西传媒学院,山西晋中030619

出　　处：《史志学刊》2023年第5期17-27,共11页Journal of History and Chorography

基　　金：山西省社科院2022年度规划课题:“晋域沿黄河地区非遗保护与传播策略研究”(编号:YWYB202230)阶段性成果。

摘　　要：寿阳“爱社”傩舞俗称“耍鬼”“闹鬼”,流传于山西寿阳平头镇一带。2008年寿阳“爱社”傩舞入列第一批国家级非物质文化遗产扩展项目名录民间舞蹈类,这本应为优秀传统文化的弘扬提供莫大契机,然而,经过十余年的挖掘抢救与保护,“爱社”傩舞与其原始祭祀文化、宗教傩仪形制发生本质分离,故借助碑刻资料、方志记载、口述访谈等途径,重构“爱社”傩舞的祭祀仪式过程,挖掘其文化核心要素,为群体性非遗保护作探讨性思考。The"Aishe"Nuo dance in Shouyang,commonly known as"playing ghosts"or"making ghosts,"has been passed down in the Pingtou town area of Shouyang,Shanxi.In 2008,the"Aishe"Nuo dance was included in the first batch of national intangible cultural heritage expansion project list in the folk dance category.This should have provided a great opportunity for the promotion of outstanding traditional culture.However,after more than ten years of excavation,rescue,and protection,the"Aishe"Nuo dance has undergone a fundamental separation from its original ritual culture and religious Nuo ceremony format.Therefore,through the use of inscriptions,local chronicles,oral interviews,and other methods,the reconstruction of the ritual process of the"Aishe"Nuo dance is carried out,and its core cultural elements are unearthed,providing exploratory thinking for the protection of collective intangible cultural heritage."

关 键 词：“爱社”傩舞 祭祀 仪式 非遗保护 

分 类 号：J722.29[艺术—舞蹈]