《三国史记》的女性书写及文化意涵  

The Female Writing and Cultural Implication of History of The Three Kingdoms

作　　者：王欣媛 Wang Xinyuan

机构地区：[1]山东大学,山东威海264209

出　　处：《史志学刊》2023年第5期28-37,共10页Journal of History and Chorography

基　　金：山东省社会科学规划青年项目“高句丽女性与社会研究”(编号:20DLSJ10)阶段性成果。

摘　　要：《三国史记》为高丽王朝金富轼修撰的朝鲜半岛第一部官修正史,在东北亚古代史研究中占据重要的地位。其编纂虽受中国正史体例的影响,但书中未设后妃、列女传记,女性记事多附于男性记事。按照女性的活动场域,其家庭领域形象为母亲、妻子、女儿,社会公共领域形象为女王、女性巫者、参与政治活动的女性等。金富轼对于女性形象的选取塑造,是在儒家思想的框架之内建构,围绕着男性叙事展开,在女子为祸书写意识的指导下,强调女性家庭领域内的作用,对社会领域内的女性活动仅为客观陈述,由此建构起男权社会主导下的性别文化制度。History of The Three Kingdoms is the first official history of the Korean Peninsula written by Kim Fushi of the Goryeo Dynasty,which plays an important role in the study of ancient history in Northeast Asia.Although its compilation was influenced by the style of Chinese official history,there were no biographies of concubines and women in the book,and women's records were mostly attached to men's records.According to the field of women's activities,their images in the family sphere are mothers,wives and daughters,and in the public sphere of society,they are queens,witches and women participating in political activities.Kim Fushi's selection and shaping of female images is carried out around male narration.Under the guidance of women's writing consciousness,he emphasizes the role of women in the family field and only objectively states women's activities in the social field,thus establishing the gender cultural system under the dominance of the male society.

关 键 词：《三国史记》 金富轼 女性 性别文化 

分 类 号：K28[历史地理—历史学] K312.31[历史地理—中国史]