京歌《粉墨春秋》的演唱探究  

A Study on the Singing of the Opera-style Song Dramatic Spring and Autumn

作　　者：肖虹 XIAO Hong(School of Music,Baoji University of Arts and Sciences,Baoji 721013,Shaanxi)

机构地区：[1]宝鸡文理学院音乐学院,陕西宝鸡721013

出　　处：《宝鸡文理学院学报（社会科学版）》2023年第5期101-107,共7页Journal of Baoji University of Arts and Sciences：Social Science Edition

摘　　要：京歌将典型的京剧艺术素材融入歌曲创作当中,又以通俗凝练的手法展示出“国粹”京剧艺术的魅力。京歌《粉墨春秋》内涵丰富,其创作背景底蕴深厚,曲式结构层次分明,艺术特征突出鲜明,京剧元素的运用使其民族性更强,是京剧元素与民族声乐的完美结合,是对传统音乐文化的传承和创新。Peking Opera-style songs incorporate typical Peking Opera art materials into song creation,and showcase the charm of“national essence”Peking Opera art in a simple and concise way.The Peking Opera-style song Dramatic Spring and Autumn has rich connotations,profound creative background,distinct musical structure,and prominent artistic features.The use of Peking Opera elements enhances its national identity.The song is a perfect combination of Beijing Opera elements and national vocal music,and it is an inheritance and innovation of traditional music culture.

关 键 词：京歌 《粉墨春秋》 创作特征 演唱技巧 

分 类 号：J642.4[艺术—音乐]