论元杂剧爱情婚姻戏的女性形象书写  

Study on Female Images of Love and Marriage Plays in the Yuan-dynasty Drama

作　　者：侯敏 HOU Min(School of Music,Baoji University of Arts and Sciences,Baoji 721001,Shaanxi)

机构地区：[1]宝鸡文理学院音乐学院,陕西宝鸡721001

出　　处：《宝鸡文理学院学报（社会科学版）》2023年第5期114-118,共5页Journal of Baoji University of Arts and Sciences：Social Science Edition

摘　　要：元杂剧是元代戏剧艺术成熟的标志。其中爱情婚姻戏数量最多,所塑造的女性人物形象丰富、鲜明,个性突出。元杂剧爱情婚姻戏剧本继承了文学抒写爱情婚姻的传统,其女性形象书写的成功,得益于元代宽松的社会环境,也是大量文人投入杂剧创作的结果,承载了元代文人仕途和婚姻的幻想。这些爱情婚姻戏中的女性形象符合女性善良、勤劳、包容的传统理念,元杂剧爱情婚姻戏塑造的女性形象,对后世明清戏曲发展重要影响。The Yuan-dynasty Drama is a symbol of the art of Yuan Dynasty,with the largest number of love and marriage dramas,portraying rich and distinct female characters with prominent personalities.The scripts of the love and marriage drama in Yuan-dynasty Drama inherit the tradition of literary expression of love and marriage.The successful portrayal of female images is attributed to the relaxed social environment of the Yuan Dynasty,and it is also the result of a large number of literati investing in the creation of Yuan-dynasty Drama,carrying the fantasies of the Yuan Dynasty literati’s career and marriage.The female images in these love and marriage dramas conform to the traditional concepts of kindness,diligence,and tolerance among women,and have a significant impact on the development of Ming and Qing opera in later generations.

关 键 词：元杂剧 爱情婚姻戏 女性形象 影响 

分 类 号：I206.2[文学—中国文学]