南昌起义题材影视剧的叙事艺术探究  

Research on the Narrative Art of Films and TV Dramas Depicting Nanchang Uprising

作　　者：吴尧天 韩春萌[2] Wu Yaotian;Han Chunmeng(Yuzhang Normal University,Nanchang 330103,P.R.China;Nanchang Normal University,Nanchang 330032,P.R.China)

机构地区：[1]豫章师范学院,江西南昌330103 [2]南昌师范学院,江西南昌330032

出　　处：《江西科技师范大学学报》2023年第4期83-88,共6页Journal of Jiangxi Science & Technology Normal University

基　　金：2022年度江西省文化艺术科学规划课题“江西重大革命历史题材影视剧的红色叙事研究”(编号:YG2022068)。

摘　　要：南昌起义题材影视剧,对内涵深刻的“建军精神”在宏大叙事中进行了诠释。在叙事模式上传承了中国史传文学“踵事增华”、在戏剧冲突中塑造人物及“互现法”等优良传统。在叙事技巧方面,一是大量采用全知叙事和纯客观叙事,二是运用因果式线性结构模式。为消除“麦当劳化”影响,避免同类影视剧的题材和情节的同质化,南昌起义题材影视剧在内容与形式上不断创新,在影视艺术方面作了有益的探索。the films and television dramas depicting the Nanchang Uprising interpret the depth of the army building spirit in grand narration.In terms of narrative mode,they inherit the fine tradition of Chinese historical literature.Using a historical narrative approach that centers on "historical + characters",these works have achieved good artistic effects.Adopting a large number of omniscient and objective narratives as well as causal linear structure mode,these works enriched the narrative art of the films and TV dramas.In order to reduce the negative impact of "McDonaldisation " and avoid the homogeneity of their themes and plots,the Nanchang Uprising-themed films and TV dramas have continuously innovated in their content and form,serving as a beneficial exploration in the artistic realm.

关 键 词：南昌起义影视剧 大叙事 全知视角 因果式线性结构 去“麦当劳化” 

分 类 号：J91[艺术—电影电视艺术]