从无到无——论萧红小说的多元主题  

From Nothing to Nothing——On the Multiple Themes of Xiao Hong's Novels

作　　者：朱清如 Zhu Qingru(Minzu University of China,Beijing 100081,P.R.China)

机构地区：[1]中央民族大学文学院,北京100081

出　　处：《江西科技师范大学学报》2023年第4期89-94,共6页Journal of Jiangxi Science & Technology Normal University

摘　　要：“无”是萧红小说的一个重要主题,在其不同时期的创作中有着不同的表现。具体而言,初涉文坛的哈尔滨时期、颠沛流离的流亡时期、以及生命落幕的中国香港时期,分别对应着物质和精神上的匮乏与贫瘠、“无物之阵”以及“几乎无事的悲剧”等多层面的小说主题,体现了萧红“个人—民族—全人类”的思想脉络与创作轨迹。其中,每一层“无”都与1930年代的时代语境和萧红的生活体验密切相关,折射出其小说创作的多元特征和审美走向。而整个“从无到无”的演变过程,凝聚了萧红对中华民族和中国人民前途命运的积极思考,以及对人性本质和生命意义的一路追寻,具有跨越时空的价值和魅力。“nothing” is an important theme in Xiao Hong's novels,which has different expressions in her works in different periods.In fact,during Xiao Hong's first foray into literature,during her exile,and at the end of her life in Hong Kong region,her novels show themes of material and spiritual scarcity and sterility,“the battle of nothingness” and “the tragedy of almost nothingness” respectively,which embody Xiao Hong's thought and creation track of “Individual-nation-all mankind”.Each layer of “Nothing” is closely related to the 1930s context and Xiao Hong's life experience,reflecting the pluralistic features and aesthetic trends of her novels.The whole process of “from nothing to nothing” embodies Xiao Hong's positive thinking on the future and destiny of the Chinese nation and people,as well as her pursuit of the essence of human nature and the meaning of life,the value and charm of which transcends time and space.

关 键 词：萧红 小说主题 从无到无 

分 类 号：I226.3[文学—中国文学]