俄罗斯白银时代音乐中的现代性诉求——拉赫玛尼诺夫与斯克里亚宾的音乐风格比较  

The Appeal of Modernity in Russian Sliver Age Music——A Musical Styles Comparison of Rachmaninoff and Scriabin

作　　者：周婉怡 杨燕迪 Zhou Wanyi;Yang Yandi

机构地区：[1]哈尔滨音乐学院音乐学系,哈尔滨150028 [2]哈尔滨音乐学院,哈尔滨150028

出　　处：《北方音乐》2023年第4期7-15,共9页Journal of the Northern Music

基　　金：湖南省教育厅2021年科学研究项目“拉赫玛尼诺夫晚期钢琴作品中的俄罗斯民族特性研究”(项目编号:21C0473)研究成果。

摘　　要：白银时代的俄罗斯音乐在社会动荡、文化变迁、政治变革的特殊背景下,从浪漫主义逐渐转向现代主义,出现了俄罗斯音乐历史上具有世界影响力的伟大作曲家:拉赫玛尼诺夫与斯克里亚宾。面对白银时代音乐文化生活中全方位的现代性焦虑,两位作曲家积极尝试用音乐解决民族二元性问题,从不同方向探索了克服音乐创作主要矛盾的思想理路。通过比较研究拉赫玛尼诺夫与斯克里亚宾音乐风格的心理向度、表现意涵与审美品质等方面的异同,白银时代俄罗斯主流音乐创作中的现代性诉求得到了进一步验证,同时,这两种现代性音乐风格也深刻诠释了俄罗斯白银时代的焦虑、矛盾与统一。Under the extraordinary context of social turmoil,cultural changes and political transfor⁃mations,Russian music in the Silver Age gradually shifted from romanticism to modernism,and great composers who have world reputation in the Russian music history emerged:Rachmaninoff and Scriabin.Faced with the anxiety of modernity in all aspects of musical and cultural life in the Silver Age,the two composers tried to solve the problem of national duality through music actively,and ex⁃plored respectively the ideological rationales of overcoming the main contradiction of musical cre⁃ation with distinct approaches.The comparative study of the parallels and differences in the psycho⁃logical dimensionality,expressive connotation and aesthetic quality of Rachmaninoff’s and Scri⁃abin’s music styles not only has been the corroboration for the appeal of modernity in the main⁃stream Russian music creation in the Silver Age,but also the explanation of that their two modern music styles profoundly interpreted the anxiety,contradiction and unity of Russia's Silver Age.

关 键 词：俄罗斯 白银时代 现代性 拉赫玛尼诺夫 斯克里亚宾 

分 类 号：J609.9[艺术—音乐]