杜甫《自京赴奉先县咏怀五百字》在明清的接受与经典化  

Acceptance and Canonization of Du Fu's Chanting on Those Seen and Heard from Chang'an to Fengxian with 500 Characters in the Ming and Qing Dynasties

作　　者：张金梅 张中宇[1] ZHANG Jinmei;ZHANG Zhongyu(College of Literature,Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学文学院,重庆401331

出　　处：《景德镇学院学报》2023年第5期6-10,共5页Journal of JingDeZhen University

摘　　要：《咏怀五百字》在唐、宋、元的接受度很有限,重要唐诗选本几乎不录。明前、中期约200年,受“和而正”及复古等思潮影响,《咏怀五百字》因“似乏古雅”,唐诗选本对其仍少有选录。明后期社会思潮、诗学审美多元化,对它的选录及点评渐多,其接受出现转折。清代对《咏怀五百字》的接受达到高峰,上至御编《御定全唐诗》《唐宋诗醇》,延及学者重要选本及评注等,从篇法及内涵等对《咏怀五百字》进行多重审视及高度评价,其思想与艺术的经典地位由此确立。《咏怀五百字》在明、清时期的接受起伏,与社会思想、诗学发展等密切相关。The Chanting on Those Seen and Heard from Chang′an to Fengxian with 500 Characters was rarely accepted in the dynasties of Tang,Song and Yuan,and always left out in the major anthologies of the Tang poems.During the 200 years from the early to the middle of the Ming Dynasty,still few anthologies of Tang poems made mention of it due to the influence of the thoughts of"harmony and righteousness"and the retro trend.In the late Ming Dynasty,with the diversification of the trend of the social thought and the poetics aesthetic standard,there appeared a turning point about it and it began to attract more and more attention.In the Qing Dynasty,it gained a so widespread acceptance that nearly all important collections and commentaries of poems,even the Imperially-selected Poems of the Tang Dynasty and the Selected Poems of,the Tang and Song Dynasties,listed it in and gave it detailed examination and high praise on the discoursing and connotation,which established its classic status in thought and art.However,the change concerning the acceptance of it in the Ming and Qing dynasties was closely related to the development of social thought and poetics.

关 键 词：杜甫 《自京赴奉先县咏怀五百字》 接受转折 经典地位 诗学发展 

分 类 号：I207.22[文学—中国文学] K248[历史地理—历史学]