荆河戏曲牌[大开门]外八调名称重解  

Reinterpretation of the Names of the Outer Eight Tunes of Da Kai Men in Jinghe Opera

作　　者：苏振华[1] SU Zhenhua(College of Music,Hunan University of Technology,Zhuzhou 412007,China)

机构地区：[1]湖南工业大学音乐学院,湖南株洲412007

出　　处：《湖南工业大学学报（社会科学版）》2023年第5期108-114,共7页Journal of Hunan University of Technology(Social Science Edition)

基　　金：湖南省教育厅科学研究重点项目“荆河戏唱腔曲牌研究”(22A0389);湖南省社会科学成果评审委员会课题“荆河戏器乐曲牌研究”(XSP22YBZ047);湖南民族民间音乐舞蹈研究基地基金资助项目“湖南民族民间音乐舞蹈研究”(湘民宗通[2017]27号)。

摘　　要：考诸史料,荆河戏器乐曲牌之考证尚无专论,已有研究只是提及荆河戏与楚剧、汉剧等存在关联,而对曲牌名未作深入阐释。以挖掘出来的代表性谱本为基础,通过论证荆河戏曲牌[大开门]外八调名称与曾侯乙钟铭、传统《周易》之辩证关系,探析荆河戏曲牌[大开门]外八调名称之含蕴,是破解这一课题的可行路径。There is no monograph on the instrumental music of Jinghe Opera based on historical data,and the existing research only mentions that there is a connection between Jinghe Opera and Chu Opera and Han Opera,but does not give an in-depth explanation of the names of the tunes.Based on the representative genealogical records excavated,it is a feasible way to solve this problem by analyzing the implication of the name of the instrumental music the Outer Eight Tunes of Da Kai Men in Jinghe Opera by demonstrating the dialectical relationship between the name of the Outer Eight Tunes of Da Kai Men and Zenghouyi Zhongming and traditional Zhou Yi(Book of Changes).

关 键 词：荆河戏 [大开门]外八调 曾侯乙钟铭 传统《周易》 

分 类 号：J82[艺术—戏剧戏曲]