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作 者:马金科[1] 李安娜 MA Jin-ke;LI An-na(College of Chinese Liberal Arts,Yanbian University,Yanji 133002,China;College of Foreign Language,Yanbian University,Yanji 133002,China)
机构地区:[1]延边大学文学院,吉林延吉133002 [2]延边大学外国语学院,吉林延吉133002
出 处:《东北师大学报(哲学社会科学版)》2023年第6期83-94,共12页Journal of Northeast Normal University(Philosophy and Social Science Edition)
基 金:国家社科基金重大项目(19ZDA289)。
摘 要:梁庆遇《霁湖诗话》是朝鲜朝中期诗话中十分重要的一部作品,在朝鲜文学史尤其是诗学批评史上占有重要地位。《霁湖诗话》以唐风为“千古正脉”,作诗强调“直溯真源”,为朝鲜朝中期诗风由宋转唐提供了诗学理论依据。《霁湖诗话》开朝鲜诗话专门进行诗律批评的先河,体现了朝鲜中期诗话的新特点,代表了朝鲜朝中期诗家追求“诗律正脉”的诗律观。《霁湖诗话》从诗体、平仄、押韵及诗律评点等几个方面展现了梁庆遇的诗律观,在体现崇唐态度的同时,针对当时亟待解决的朝鲜文人作诗因不精音韵而疏于押韵的问题给出了行之有效的作诗之法。尤其是梁庆遇对待“通韵”的严格态度,标志着朝鲜朝中期诗家诗律观的一大进步。《霁湖诗话》的出现标志着朝鲜诗话从关注诗律进入到专论诗律的新阶段,在朝鲜诗话史上起到了承上启下的关键作用。Liang Qingyu's Jihu Shihua is a very important work in the mid-Korean Dynasty poetry,which occupies an important position in the history of Korean literature,especially in the history of poetic criticism.“Jihu Shihua”takes Tang Dynasty poetry style as the“eternal pulse”and emphasizes“tracing back to the true source”,which provides a poetic theoretical basis for the poetic style of the mid-Korean Dynasty to change from Song dynasty poetry style to Tang Dynasty poetry style.Jihu Shihua set a precedent for the poetic criticism of ancient Korea,and reflected the new features of the mid-Korean dynasty's Notes On Poets and Poetry.“Jihu Shihua”shows Liang Qingyu's view of poetic rhythm from several aspects,such as poetic style,level and oblique tones,rhyme and evaluation of poetic rhythm.While embodying his attitude of worshiping Tang Dynasty,it also gives an effective way to write poetry for the problem that Korean literati neglected to rhyme because of their imprecise rhyme,especially Liang Qingyu's strict attitude towards“Tong Yun”,which indicates a great progress in the poetic view of poets in the mid-Korean Dynasty.The appearance of Jihu Shihua indicates that Korean's Notes On Poets and Poetry has entered a new stage of focusing on poetry rhythm,which plays a key role in the history of Korean's Notes On Poets and Poetry.
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