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作 者:任晶[1] REN Jing(Huahan Group,Jilin Provincial Education College,Changchun 130022,China)
机构地区:[1]吉林省教育学院华翰集团,吉林长春130022
出 处:《东北师大学报(哲学社会科学版)》2023年第6期103-107,共5页Journal of Northeast Normal University(Philosophy and Social Science Edition)
摘 要:少数民族女性文学的发展历程是在少数民族文学发展基础上,经历了女性自我性别认同与超越性别的成长过程。在漫长的以男权为主导的社会体制中,女性一直是历史的缺失者与被动的参与者,承受着男权制这种传统的钳制。女性自我的性别意识,为以男性为主体的社会价值观与责任感所占有、掩盖,被封建的文化伦理所异化,女性与女性文学长期被湮没,少数民族女性话语以写作的形式更为弱化。少数民族女性文学多年狭隘的创作模式和第一次大的转型的内在动因是女性意识的蒙昧与觉醒,女性作家文化身份与主体位置出现了从边缘向中心的滑动与漂移。梳理和思考少数民族文学与少数民族女性文学的生成与发展,对更好地把握多元文化语境下的少数民族女性文学研究具有十分重要的意义。The development trajectory of feminine literature of ethnic minorities in China,which is on the basis of the development of literature of ethnic minorities in China,has undergone the development process of female's self-identity and transcendence of gender.In the long-standing male-dominated social system,women have been historically marginalized and as passive participants they bear the constraints of traditional patriarchal norms.Women's self-awareness of gender identity has often been overshadowed and alienated by the dominant male-entered social values and responsibilities.Such alienation is further compounded by feudal cultural ethics,which leads to the prolonged obscurity of women and feminine literature in the context of ethnic minorities cultures.The intrinsic motivation behind the narrow creative models in feminine literature of ethnic minorities in China and its first significant transformation over the years can be attributed to the awakening and enlightenment of female consciousness.The cultural identity and positioning of female writers have shifted from the periphery to the center.Examining and reflecting on the genesis and development of literature of ethnic minorities in China are of utmost significance for a better understanding of research within the context of multiculturalism.
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