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作 者:陈红旗 CHEN Hong-qi(School of Humanities,Hainan University,Haikou,Hainan 570228)
出 处:《汕头大学学报(人文社会科学版)》2023年第5期5-12,94,共9页Journal of Shantou University(Humanities and Social Sciences Edition)
基 金:广东教育教学成果奖(高等教育)培育项目“‘中国现当代文学’学科课程教学改革与实践研究”(粤教高函〔2015〕72号)。
摘 要:新世纪以来,在诗歌观念演化过程中,普适性意义上的诗学观越来越容易受到质疑,而地方性元素之于诗歌创作的意义日益被强化和认可。返观梅州当代诗坛非常活跃的一批诗人,如游子衿、吴伟华等的诗歌创作和诗学追求,无疑为“地方性诗歌”发展提供了一些“别样”的理路或曰可能性。具体体现在:“空间感”的弱化与“时间感”的强化;死亡作为生命的圆满与生命观照的另一维度;社会现实的淡化与诗意想象的实存。这些梅州当代诗人各有建树,他们的诗作既展示了梅州、河源等客家地区的地方风习,也成就了当下新诗界中颇具特色的一种地方性诗歌创作。事实上,他们并未因为居住在一个小城而收缩自己的诗学视野和心灵世界,他们以“这一个”的生命体验,抒写着自身丰富的艺术体验,建构着独特的“地方性诗歌”群落。In the new century,universal poetic concepts are increasingly questioned,and the significance of local elements in poetry is strengthened and recognized.Some poets active in Meizhou,such as You Zijing and Wu Weihua,provide some unique rationale or possibilities for local poetry,as reflected in the weakening of the“sense of space”and the strengthening of the“sense of time”,in death as the completion of life and a perspective to observe life,and in the fading of social reality and the actualization of poetic imagination.These contemporary Meizhou poets are accomplished in their own way,and their poems not only demonstrate local customs of the Hakka regions like Meizhou and Heyuan,but also become a distinctive local poetry.They do not shrink their poetic vision and spiritual world just because they live in a small town.Instead they expresses a rich artistic experience and construct a unique“local poetry”community.
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