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作 者:宋辉[1] 邱雅茹 Song Hui;Qiu Yaru
机构地区:[1]西安建筑科技大学建筑学院 [2]广州地铁设计研究院股份有限公司
出 处:《住区》2023年第5期69-73,共5页Design Community
基 金:国家自然科学基金面上项目(52178026);教育部人文社科研究项目(20YJC760085)。
摘 要:建筑空间通常受人的行为轨迹、装饰物和家具尺寸,以及生活需求等多方面影响。古代壁画中常有关于建筑的连环画形式的叙事性表达,使能够凭借画中的建筑关系、人物生活行为关系等构成具有连续性、导向性的建筑空间,山西芮城永乐宫殿内的壁画即属此类。因此,结合壁画场景中人的居住生活行为模式,通过对家具等构筑物间的比例关系,推导出其承载建筑空间的尺度,发现元代民居的建筑空间尺度与功能需求的构成关系,揭示元代民居建筑类型及壁画中所反映的元代建筑特征。Architectural space is usually affected by people’s behavior track,decoration items,furniture size,and living needs.In ancient frescoes,there are often narrative expressions in the form of architectural comics,which make it possible to form a continuous and guiding architectural space by virtue of the architectural relationship and the life behavior relationship of the characters in the paintings.The frescoes in Yongle Palace in Ruicheng,Shanxi province belong to this type.Therefore,in combination with the living behavior pattern of people in the mural scene,the scale of the building space borne by the furniture and other structures is derived through the proportional relationship between them,and the composition relationship between the building space scale and the functional demand of the residential buildings in the Yuan Dynasty is found.The architectural types of the residential buildings in the Yuan Dynasty and the architectural characteristics of the Yuan Dynasty reflected in the murals are revealed.
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