文化调聚:《兄妹开荒》与大生产运动  

Cultural Focus:Xiongmei Kaihuang in the Movement of Great Production

作　　者：孙晓忠 SUN Xiao-zhong(Department of Chinese languages and Literature,East China Normal University,Shanghai 200241,China)

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《妇女研究论丛》2023年第5期16-26,共11页Journal of Chinese Women＇s Studies

基　　金：国家社会科学基金重大项目“人民文艺与20世纪中国文学的历史经验研究”(项目编号:17ZDA270)的阶段性成果。

摘　　要：本文讨论解放区20世纪40年代移民运动和大生产运动,分析二者发生的原因以及与此前移民垦荒的不同,在这一背景下理解新秧歌剧《兄妹开荒》的诞生。通过比较《兄妹开荒》与本事的差异,论述解放区新文艺的展开过程,在此基础上论述人民文艺如何立足现实,不断调整焦距,引导和推进历史前行,体现了文化与历史“两种真实”的辩证运动。This article discusses the birth of new Yangge play,Xiongmei Kaihuang(Brothers and Sisters Opening Up Wasteland),against the history of the migration movement and the great production movement in the liberated areas in the 1940s,and the identifiable differ-ences that existed between them and the previous migration and land reclamation.Through comparing the differences between the play and reality,this study discusses the growth of new culture in the liberated areas so as to suggest that people's literature and art and histo-ry move dialectically between"two realities".While people's literature and art come from,and constantly shorten their distances with,re-ality,they try to direct and guide the history forward.

关 键 词：移民 垦荒 大生产 文化调聚 兄妹开荒 

分 类 号：I206.6[文学—中国文学]