民歌旋律线条下的律动烘托与发展——樊祖荫钢琴小曲织体研究  

The rhythm and development under the melody lines of folk songs:on the texture of Fan Zuyin's piano piece

作　　者：赵柯丽[1] Zhao Keli

机构地区：[1]西安音乐学院音乐教育学院

出　　处：《乐府新声（沈阳音乐学院学报）》2023年第3期48-57,共10页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：基于五声性调式和声技术理论的探索,樊祖荫的钢琴音乐在织体上有其纵横向的特色发展手法。本文对樊祖荫钢琴小曲从音乐中的织体形态构成、织体和声的细微处理以及织体作用于结构发展的手法进行逐一辨析,以微观分析而管窥樊祖荫在小空间的民歌旋律框架中的大视野,樊祖荫的音乐现代化发展理念使得其钢琴小曲展现出别样的艺术情趣。Based on the exploration of pentatonic mode harmony technique theory,Fan Zuyin's piano music has its own characteristic development techniques in texture.This paper analyzes the composition of texture form in music,the subtle processing of texture harmony and the ways in which texture acts on structure development.Through microscopic analysis,Professor Fan's broad vision in the melody frame of folk songs in small space is explored.This concept of modern music development makes piano ditty show a different artistic interest.

关 键 词：五声性调式和声 中国当代音乐 中国钢琴音乐 

分 类 号：J624.1[艺术—音乐]