第六代电影废墟影像的色彩意志  

The Color Will of the Sixth Generation Film Ruins Image

作　　者：曹国峰[1] Cao Guofeng(School of Film,China Academy of Art)

机构地区：[1]中国美术学院电影学院

出　　处：《色彩》2023年第9期66-68,共3页Fashion Color

摘　　要：本文以第六代电影中的影像色彩为切入点,聚焦电影中的废墟影像,开启对第六代电影创作者所深切关怀的个人、命运、时代的沉思。20世纪90年代是中国第六代电影的黄金时代,人们在震惊与彷徨中迎来新世界。而在这一场如同现场直击般的美学运动中,被社会大建设构建、遗留的大量废墟景观与电影影像色彩意志产生了深刻而动人的勾连。而当下,我们站在新世纪的今天,回望上世纪90年代的中国现实主义电影,似乎在昂扬斗志的姿态中多了一重复杂忧思。This paper takes the image color of the sixth generation film as the starting point,focuses on the ruins image in the film,and starts to meditate on the individual,fate and times that the sixth generation film creators deeply care about.The 1990s was the golden age of the sixth generation of Chinese films,and people ushered in a new world in shock and confusion.In this aesthetic movement like a direct attack on the scene,a large number of ruins built by the social construction and left behind have produced a profound and moving connection with the color will of the film image.At present,we are standing in the new century today,looking back at the Chinese realistic films in the 1990s,it seems that there is a complex concern in the attitude of high morale.

关 键 词：第六代电影 色彩意志 现代性 废墟影像 

分 类 号：J905[艺术—电影电视艺术]