羌族服饰在中国画人物中的艺术表现  

The Artistic Expression of Qiang Nationality Costumes in Chinese Painting Figures

作　　者：张威涛 唐辉 刘雷 Zhang Weitao;Tang Hui;Liu Lei(School of Art Design,Sichuan Culture and Art University)

机构地区：[1]四川文化艺术学院美术设计学院

出　　处：《色彩》2023年第9期88-90,共3页Fashion Color

基　　金：2022年度四川文化艺术学院校级科研研究项目“北川羌族民俗文化美术创作研究”(项目编号:CWYB202250)。

摘　　要：服饰是人类物质文化的重要组成部分,是最为直观的民族文化特征,羌族服饰以独特的意韵和审美情趣出现在民族文化的历史舞台。羌族服饰文化、服饰色彩、服饰图案形成于宗教崇拜和生产劳动,这些因素构成了羌族服饰文化现状,体现了羌族服饰文化的稳定性、独特性和民族性的审美内涵。现如今羌族题材在中国画人物中的艺术表现较少,作为艺术创作者,需要了解羌族服饰在中国画人物中的运用对羌族服饰文化的保护和传承有着极其重要的指导意义。文章主要以中国人物画家何家英、何雨春和姬国强的羌族人物画作品为例,详细分析羌族服饰在中国人物画作品中的艺术表现。Clothing is an important part of human material culture and the most intuitive national cultural feature.The Qiang nationality's clothing appears in the historical stage of national culture with its unique charm and aesthetic taste.Qiang costume culture,color and pattern are formed from religious worship and production labor.These factors constitute the status quo of Qiang costume culture and reflect the stability,uniqueness and aesthetic connotation of Qiang costume culture.Nowadays,there are few artistic expressions of Qiang nationality themes in Chinese painting figures.As an art creator,it is necessary to understand the application of Qiang nationality costumes in Chinese painting figures,which has extremely important guiding significance for the protection and inheritance of Qiang nationality costume culture.This article mainly takes Chinese figure painters He Jiaying,He Yuchun and Ji Guoqiang's Qiang figure paintings as examples to analyze the artistic expression of Qiang costumes in Chinese figure paintings in detail.

关 键 词：羌族服饰 服饰色彩 人物画 艺术表现 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程] J212[艺术—美术]