以“还原”代替“颠覆”——互文性视阈中的《缱绻与决绝》  

Replace “Subversion” with “Restoration”: Attachment and Resolution in the Perspective of Intertextuality

作　　者：阎浩岗[1] YAN Hao-gang(School of Chinese Language and Literature,Hebei University,Baoding,Hebei 071000,China)

机构地区：[1]河北大学文学院,河北保定071000

出　　处：《河北民族师范学院学报》2023年第4期44-49,共6页Journal of Hebei Normal University For Nationalities

基　　金：2021年度国家社科基金项目“文化生态视域下的中国红色文学百年史(1921-2021)”(21BZW041)。

摘　　要：赵德发《缱绻与决绝》与莫言《丰乳肥臀》对话或“竞赛”的意味比较明显。细读文本我们又可发现,它与此前其他诸多同类题材著名小说文本,也有着显在或潜在的对话关系。通过这种对话,作家表达了自己独特的思想和艺术追求。如果说其他同类作品意在颠覆“典范土地革命叙事”,那么该书作者的宗旨不在颠覆,而在对话与还原:它不仅与《暴风骤雨》等“典范土地革命叙事”文本对话,也与新时期以后其他“反典范土地革命叙事”文本对话;它不是为“翻鏊子”,而是尽量客观地写出土地与农民、农民与地主、农民与农民的关系,写出土地革命给乡村社会各阶级阶层带来的心理冲击及生活变化。The dialogue or“competition”between Zhao Defa’s Attachment and Resolution and Mo Yan’s Big Breasts and Wide Hips is obvious.Reading the text closely,we can also find that it has obvious or potential dialogue relationship with many other famous novel texts of the same theme.Through this dialogue,the writer expresses his own unique thoughts and artistic pursuits.If other similar works are intended to subvert the“model land revolution narrative”,then the purpose of this book is not to subvert,but to dialogue and restoration:it not only talks with the“model land revolution narrative”such as The Hurricane,but also talks with other“anti-model land revolution narrative”after the new era.It is not a“overturn”,but as objectively as possible to write the relationship between land and farmers,farmers and landlords,farmers and farmers,and write the psychological impact and life changes brought by the land revolution to all classes of rural society.

关 键 词：赵德发 《缱绻与决绝》 对话 还原 

分 类 号：I207.42[文学—中国文学]