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作 者:LU Fangfang
机构地区:[1]Chinese Academy of Social Sciences,Beijing,China
出 处:《Cultural and Religious Studies》2023年第10期486-492,共7页文化与宗教研究(英文版)
基 金:中国社会科学院民族学与人类学研究所创新工程项目“乡村振兴与中华民族共同体叙事的影视人类学创新实践”课题成果;国家社会科学基金重大项目“构建中华民族共有精神家园的少数民族视域研究”(17ZDA152)。
摘 要:Based on the experience of ethnographic filming,this article outlines the dynamic process of the protection and development of Baima Tibetan traditional villages with the help of iconic descriptions of Baima Tibetans’daily lives and sacrificial activities,and explores how Baima Tibetans inherit their culture while adapting to social development with imagery means during rural revitalization,and how the locals integrate sacred space and secular experience in order to construct their own cultural symbols for the sake of embracing the new era.As far as anthropology-ethnographic descriptions of embodiment are concerned,traditional text research has limitations.In comparison,video graphic anthropology has natural advantages.Its advantages not only lie in the means of images,but also lie in the ability to connect the“sense of things”,mind and nature,realizing the interaction between mind and things,and mentality and object.The visual ethnography is an important research method for anthropological research to enter the world of his other.This is also an important way to describe the integration and symbiosis of local subjectivity,local sacred space,and secular experience.
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