傅抱石人物画《苏武牧羊》与日本绘画关系考释  

Consideration of the relationship between Fu Baoshi's figure painting"Su Wu Shepherd"and Japanese painting

作　　者：高子瑜 GAO Ziyu(School of Intercultural Studies Jiangxi Normal University,Nanchang,Jiangxi,330022,China)

机构地区：[1]江西师范大学国际教育学院,江西南昌330022

出　　处：《豫章师范学院学报》2023年第5期16-20,共5页Journal of Yuzhang Normal University

基　　金：江西师范大学博士科研启动基金(编号:12022330)。

摘　　要：关于傅抱石的人物画《苏武牧羊》是否受日本绘画影响,学界对此意见不一。对比构图内容、人物形象塑造发现《苏武牧羊》很可能借鉴了中村不折的油画《苏武之苦节》,而傅抱石观看此幅画作图像的途径可能是他在日本收集的画册图录或通过国内的美术刊物《北洋画报》等。此外参照《苏武之苦节》可认为《苏武牧羊》的画题是“苏李诀别”,同时结合时局背景来看《苏武牧羊》的创作背后潜藏的是其深深爱国之情。Regarding whether Fu Baoshi's figure painting"Su Wu Shepherd"was influenced by Japanese painting,the academic circles have different opinions.By comparing the content of the composition and the shaping of the characters,it is found that"Su Wu Shepherds"probably imitated from Nakamura Fusetsu's oil painting"Su Wu's Perseverance",the way Fu Baoshi viewed the image of this painting may have been through the albums and catalogs he collected in Japan or the domestic art publication"Pei Yang Pictorial News".In addition,referring to"Su Wu's Perseverance",it can be considered that the theme of"Su Wu Shepherd"is"Su Li Farewell".At the same time,considering the current situation,hidden behind the creation of"Su Wu Shepherd"is his deep patriotism.

关 键 词：傅抱石 中村不折 苏武牧羊 日本绘画 

分 类 号：J212[艺术—美术]