晚清毕节路氏家族诗歌创作的儒学内涵及其成因  

The Confucian Connotation and Its Causes of Bijie Lu Family's Poetry Creation in Late Qing Dynasty

作　　者：胡代银 谭德兴[1] HU Dai-yin;TAN De-xing(College of Literature,Guizhou University,Guiyang,Guizhou550025,China)

机构地区：[1]贵州大学文学院,贵州贵阳550025

出　　处：《贵州工程应用技术学院学报》2023年第4期101-109,共9页Journal of Guizhou University Of Engineering Science

基　　金：2022年度毕节市社会科学届联合会、贵州工程应用技术学院联合基金“高质量背景下毕节基础教育发展制约因素及破解路径研究”,项目编号:LHXM202203。

摘　　要：晚清毕节路氏家族“一门五进士,三代三翰林”,兼具簪缨世家与文学大家之特色。路氏于儒学南传基础上发展,得黔地灵秀滋养,其家族诗歌创作具有丰富的儒学内涵,包含社会动乱之实录、伦理亲情之叙说、循良忠吏之品评、贞女节妇之讴歌、引《诗》用《诗》之创作等。源自于外部科举和官学教育之影响以及内部家庭不断对儒学的弘扬、对耕读传家及循良理想的坚守。路氏家族诗歌创作中的儒学内涵,呈现出当时经学与文学的紧密互动关系。The Bijie Lu family of the late Qing Dynasty,one family of five scholars,three generations of three Hanlin,both the characteristics of the family and literature.Lu's family poetry has rich Confucian connotation,including the record of social unrest,the narration of ethical family affection,the comments of loyal officials,the eulogize of chastity women,and the creation of poems using poems from poems.It is derived from the influence of external imperial examinations and official education,as well as the internal family's continuous promotion of Confucianism and the persistence of studying and being a good official.The connotation of Confucianism in Lu family's poetry creation shows the close interaction between classics and literature at that time.

关 键 词：路氏家族 儒学 诗学 互动 

分 类 号：I206[文学—中国文学]