“当个农民怎么样?”——《风波》的“逆乡愁”结构与“风波/风暴”之辩  

“How about Being a Farmer?”--The“Anti-nostalgia”Structure of Storm in a Teacup and the Debate of“Storm”

作　　者：张宁 Zhang Ning(Guangdong University of Foreign Studies,Guangzhou 510545,China)

机构地区：[1]广东外语外贸大学南国商学院,广东广州510545

出　　处：《河南师范大学学报（哲学社会科学版）》2023年第6期116-123,共8页Journal of Henan Normal University(Philosophy and Social Sciences)

摘　　要：《风波》的“乡愁”式开头与“逆乡愁”式结构,似乎一问一应地回答着一个社会学问题:你觉得当个农民怎么样?并带出乡村一隅的一个存在论故事:乡民们正是在日常龃龉、冲突、争斗、妒恨中,为各自的生命意义找到种种着力点的。但鲁迅的着眼点却是政治性的,他在小说里设置了一个“明/暗”双重故事,通过遗留在作品空白处的“风波/风暴”之辩,把现代史和思想史问题,及焦灼于自己内心的时代关切,巧妙地融合在一个乡土故事中。The“nostalgia”style beginning and the“anti-nostalgia”structure of Storm in a Teacup seem to address a sociological question:How do you feel about being a farmer?It also brings out an existential story of the countryside:it is in the daily disagreements,conflicts,fights,and jealousies that the villagers find various points of focus for the meaning of their lives.However,Lu Xun's focus is on politics.In the novel about a rural story,with dual storylines—one is visible while the other is hidden—he skillfully incorporates modern historical and philosophical issues,as well as the concerns of the times that are burning in his own heart.

关 键 词：《风波》 “逆乡愁”式结构 “明/暗”故事 “风波/风暴”之辩 

分 类 号：I210.6[文学—中国文学]