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作 者:元文广 Yuan Wenguang(School of Humanities,Xi’an Aeronautical Institute,Xi’an,China)
出 处:《社会科学论坛》2023年第6期110-116,共7页Tribune of Social Sciences
摘 要:在唐代二百八十余年中,唐人将律诗创作推向了一个高峰。在众多创作五七言律诗的唐人中,明清以前,人们普遍认为杜甫高于众家,位列第一。然而从明清开始,有一批学者提出五七言律诗应以王维为第一,由此引发明清时期王维与杜甫五七言律诗高下的激烈争论。这一争论的出现,与明清正变诗学观的影响有关。正变诗学观最早出自《毛诗序》,之后内涵不断地发生变化,到明清时期演变为“伸正拙变”与“正变皆正”的激烈交锋。正是在这种诗学观的影响下,持“伸正拙变”者主张王维五七言律诗胜于杜甫,而持“正变皆正”者则主张杜甫五七言律诗高于王维。In more than two hundred and eighty years of the Tang dynasty,the creation of metrical poems reached a peak.Before the Ming and Qing Dynasties,Du Fu was considered to be the top poet among others producing five or seven characters verses in the Tang dynasty.However,from the Ming and Qing Dynasties,a group of scholars proposed that Wang Wei should be the first poet in the five or seven characters verses,which led to a heated debate in the Ming and Qing dynasties.Through the research,the article believes that the debate was attributed to the changing opinions on poetics.The concept of“positive change poetics”originated from The Preface to Mao’s Poetry,and its connotation changed continuously since then,which eventually led to the debate between two groups of scholars.One group of scholars argued that Wang Wei’s five or seven characters verses were better than Du Fu’s,while the other group held the opposite opinion.
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