明末清初江南园林“画意”布景手法探析  

A Study on the Method of Pictorial Scenery in Jiangnan Gardens during Late Ming and Early Qing Dynasties

作　　者：邵星宇[1] SHAO Xingyu

机构地区：[1]东南大学建筑学院,南京210096

出　　处：《建筑学报》2023年第9期102-108,共7页Architectural Journal

基　　金：教育部首批新文科研究与改革实践项目(2021160031)。

摘　　要：基于历史文献的梳理和园林实例的复原研究,探析了明末清初江南园林中普遍存在的以“画意”效果为导向、关注视觉形式的一类营造手法,将其归纳总结为“画意”布景手法,并指出了其所关涉的实施要素和限制条件。同时通过对明末清初“画意”园林中的“厅堂”视点展开“画意”布景分析,揭示了“隔池观山”和“山踞池畔”两种最为主要的空间布局和构图策略,并讨论了其与同时期文人画论间的紧密关联。Based on the historical literaturereviewand the restoration of several cases,this paper explores a kind of construction methods oriented to the pictorial effect with a focus on visual forms in Jiangnan gardens during the late Ming and early Qing dynasties,summarized as as the method of pictorial scenery.It explicates the elements of implementation and constraints of the method.At the same time,through the analysis of the pictorial scenery from the viewpoint of garden's main halls,it reveals the two key design strategies of spatial structure and composition:"viewing the mountains across the pool"and"mountains alongside the pool",and discusses the close relationship with the theory of literati painting in the lateMing and earlyQing.

关 键 词：明末清初 江南园林 “画意”布景手法 

分 类 号：TU986[建筑科学—城市规划与设计]