“郑声淫”与“雅郑”思想再释——基于《左传》的“赋诗观志”  

Reinterpretating the Thoughts of "Changeable Musical Forms of the Zheng and Wei States" and "Imperial and Local Music"——"Poetry Views" Based on The Zuo Commentaries

作　　者：黄维敏[1] 孙都璟 Huang Weimin;Sun Dujing

机构地区：[1]四川省社会科学院文学研究所,四川成都610071

出　　处：《中华文化论坛》2023年第5期82-92,189,共12页Journal of Chinese Culture

基　　金：国家社科基金项目“明清巴蜀文学家族研究”(项目编号:20XZW011);“研究阐释党的二十大精神”四川省哲学社会科学规划重大项目“中国共产党对中华优秀传统文化的认识研究”(项目编号:SC22ZDYC26)阶段性成果。

摘　　要：《论语》记孔子言“郑声淫,佞人殆”“恶郑声之乱雅乐”,对古代“雅郑”文艺批评思想影响深远。学界对其字义、内涵的阐释多局限于文字学、音律学、历史学等学科范畴。本文则另辟蹊径,以文学与史学互证互释的方式,循着春秋时期诸侯卿大夫“赋诗观志”的理路,以《春秋左氏传》为“诗本”,通过对“垂陇之会”“季札观乐”“叔向使诒子产书”三个事件的文史解读,对“郑声淫”及“雅郑”思想进行细致阐发,以期从经典文本中挖掘古代文艺批评思想的新意涵。The Analects records that Confucius said that "musical forms of the Zheng State and the Wei State are full of changes,and the sycophant is dangerous" and "the Zheng's music disturbs the Fine Music",which has a profound influence on the ancient "Fine and Local Music" literary and artistic criticism.The academic circles' interpretations of its meanings and connotations are mostly limited to philology,phonology,and history.This article takes a different approach,using the method of mutual verification and interpretation of literature and history,following the theory of "composing poems and observing the aspirations" of the princes and officials in the Spring and Autumn Period,taking The Zuo Commentaries as the "research object",and through literary and historical interpretation of the three events of "Cuilong Gathering","Ji Zha Commenting Music" and "Shu Xiang Writing a Letter to Zichan",and makes a detailed analysis of the thoughts of "Changeable Musical Forms of the Zheng and Wei States" and "Fine and Local Music" to excavate the connotations of the ancient classical literary criticism thoughts.

关 键 词：郑声淫 雅郑 《左传》 赋诗观志 

分 类 号：I206.2[文学—中国文学]