《红楼梦》:现实与虚幻交融中的佛道世界  

A Dream of Red Mansions:Fusion of Buddhism and Taoism and Literary Writing

作　　者：王建华[1] WANG Jianhua(Hebei Jiaotong Vocational and Technical College,Shijiazhuang,Hebei 050035,China)

机构地区：[1]河北交通职业技术学院,河北石家庄050035

出　　处：《河北师范大学学报（哲学社会科学版）》2023年第6期126-132,共7页Journal of Hebei Normal University(Philosophy and Social Sciences)

摘　　要：《红楼梦》由一僧一道开篇,将佛道文化融入全书,展现出佛道相融并存的社会文化现象。小说揭露和批判了“现实”世界里佛道的“伪”,以突显“虚幻”世界的“真”。作者通过对贾宝玉和众多女性人物的塑造,生动阐释了佛道文化的众生平等思想。同时将佛道文化指向更为深刻的认知层面,主要体现在“由色生情,传情入色”的禅悟以及道家的“崇阴”观念等方面。Starting with a monk and a Taoist priest,Hong Lou Meng(A Dream of Red Mansions)infuses Buddhism and Taoism into the book,unfolding before our eyes the socio⁃cultural phenomena of the coexistence and fusion of Buddhism and Taoism.It exposes and criticizes the“falsity”of Buddhism and Taoism in the“real”world,so as to highlight the“truth”in the“illusory”world.Through the portrayal of Jia Baoyu and many female characters,the book makes a vivid illustration of the idea of equality of all beings in Buddhism and Taoism culture.At the same time,the Buddhism and Taoism culture is led to a deeper cognitive level.It is mainly reflected in the Zen enlightenment that“material things lead to compassion,which in turn is projected to material things,”and the Taoist outlook of“venerating Yin.”

关 键 词：《红楼梦》 佛道文化 众生平等 崇阴 

分 类 号：I206[文学—中国文学]