《诗章》对《神曲》的互文式书写  

The Intertextual Writing of La Divina Commedia in The Cantos

作　　者：郭英杰[1] Guo Yingjie(the School of International Studies, Shaanxi Normal University)

机构地区：[1]陕西师范大学外国语学院

出　　处：《外国文学研究》2023年第5期73-85,共13页Foreign Literature Studies

基　　金：国家社会科学基金西部项目“本土视阈下美国诗歌中的中国书写研究(1912—2020)”(21XWW006);陕西师范大学中央高校基本科研业务费教育研究专项一般项目(2022JYYB08)。

摘　　要：《诗章》与《神曲》的关系问题一直是学界争论的焦点。当“现代性”与“经典重读”介入诗歌文本阐释,二者错综复杂的联系就被重新审视。《诗章》受到《神曲》的影响,这已得到学界的充分肯定。但是,具体影响表现在什么地方?国内外学者虽有涉及,可是比较深入细致的研究成果并不多见。文章从文本互文的角度对《诗章》与《神曲》的关系问题进行探讨,认为《诗章》在艺术呈现的方式方面存在对《神曲》的互文式书写,反映在宗教隐喻之维、自由美学之维、生命哲学之维等方面。它们在无形之中彰显了庞德“新/日日新”的创作思想及理念。The correlation between The Cantos and La Divina Commedia has always been the focus of debate in academic circles.When “modernity” and “rereading of classics” intervene in the interpretation of poetic texts,the intricate connection between the two is instantly subject to re-examination.The influence of La Divina Commedia upon The Cantos has been fully recognized by the academic community,but in which specific aspects? Although Poundian scholars in China and other countries have touched upon this issue,in-depth and detailed research findings are still rare to see.By exploring the connection between The Cantos and La Divina Commedia from the intertextual perspective,this article claims that The Cantos relies on the intertextual writing of La Divina Commedia in its artistic presentation,particularly in the aspects of religious metaphor,freedom-oriented aesthetics,and life philosophy,all of which manifest,imperceptibly,Pound's perception and concept of creative writing,namely,“MAKE IT NEW/Day by day make it new.”

关 键 词：《诗章》 《神曲》 互文式书写 

分 类 号：I712.072[文学—其他各国文学]